Meet the 18 Queens Returning for RuPaul’s Drag Race All Stars Season 11
Courtesy of Paramount+
The runway is about to get even more legendary as RuPaul’s Drag Race All Stars returns for its highly anticipated 11th season—bringing together 18 fierce queens from across the franchise for another shot at the crown.
Premiering May 8, 2026 on Paramount+, the new season continues the high-stakes “Tournament of All Stars” format, where contestants are divided into brackets and compete for a chance to advance to the finale—and ultimately win $200,000 and a coveted place in the Drag Race Hall of Fame.
This season’s cast blends iconic veterans, fan favorites, and rising stars, each returning with something to prove and everything to gain.
A Cast Packed with Legends and Fan Favorites
Among the returning queens are seasoned competitors who have already left a lasting mark on the Drag Race legacy. Dallas favorites Kennedy Davenport and A’Keria C. Davenport bring pageant polish and powerhouse performance back to the main stage, while OG icons like Morgan McMichaels and Mystique Summers return years after their original seasons for redemption.
Also stepping back into the spotlight is Vivacious, whose legendary status and unforgettable entrance moments have made her a cult favorite among fans.
Newer Queens Ready to Dominate
Season 11 isn’t just about nostalgia—it’s also a proving ground for newer queens eager to elevate their drag careers. Contestants like Dawn, Morphine Love Dion, and Sam Star represent a new generation of performers bringing bold aesthetics, high-concept drag, and social media savvy to the competition.
Meanwhile, quirky standout Crystal Methyd returns with her signature surreal style and fan-favorite charm, ready to push her creativity even further.
A Diverse Lineup of Talent
The full cast reflects the wide spectrum of drag excellence—from comedy queens to pageant legends, club kids to polished performers. Other returning contestants include April Carrión, Aura Mayari, Jasmine Kennedie, Joey Jay, Salina EsTitties, Shuga Cain, Hershii LiqCour-Jeté, and Lucky Starzzz.
Each queen enters the competition with a unique story, a refined drag identity, and a determination to rewrite her Drag Race legacy.
Bigger Stakes, Higher Drama
With 18 contestants and a tournament-style format, Season 11 promises more strategy, more drama, and more unforgettable moments than ever before. The expanded cast allows for a deeper showcase of talent, giving queens additional opportunities to prove their growth since their original seasons.
From emotional redemption arcs to fierce rivalries and jaw-dropping runway looks, fans can expect a season packed with everything that has made Drag Race a global phenomenon.
The Road to the Crown
As the competition unfolds, only one queen will rise above the rest to claim the All Stars crown. But with such a stacked lineup, predicting a winner is no easy task.
What’s certain is this: RuPaul’s Drag Race All Stars Season 11 is shaping up to be one of the most exciting chapters in the franchise’s history—where legends return, new icons are born, and the art of drag reaches dazzling new heights.
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Keeana Kee Turns Up the Heat With “WASABI” for Lesbian Visibility Week
DALLAS, TX — April 21, 2026 — Queer pop artist Keeana Kee is marking Lesbian Visibility Week with a bold new release that celebrates sapphic love, energy, and unapologetic self-expression. Her latest single and music video, “WASABI,” featuring DJ Citizen Jane, arrives as a vibrant, high-impact anthem designed to capture the thrill of instant attraction.
The track pulses with high-energy production and undeniable chemistry between its collaborators, translating the spark of emotional and physical connection into a dancefloor-ready hit. But it’s the visual component that pushes “WASABI” into full sensory experience territory.
Directed by Alex Lay, the video unfolds in a vivid, anime-inspired world that leans into a “spicy-cute” aesthetic—equal parts playful and provocative. From schoolgirl-inspired fashion to a stylized, surreal setting led by a modern geisha figure, the visuals embrace bold colors and exaggerated storytelling. A sushi-making sequence evolves into a cheeky, sensual metaphor for curiosity and connection, reflecting the track’s central theme of discovering someone’s unique “flavor.”
Musically, “WASABI” expands Keeana Kee’s global appeal. With lyrics that fluidly weave English and Spanish—like the standout line “catch me in the air con la miel en mi piel”—the song blends cultures as effortlessly as it blends genres. The result is a track that feels equally at home in headphones and on packed dance floors.
“I wanted ‘WASABI’ to feel like that instant spark you can’t ignore—the kind that surprises you, excites you, and pulls you in before you even realize it,” Keeana Kee shares. “It’s about being open to passion and letting yourself feel something intense and new.”
Releasing the track during Lesbian Visibility Week was a deliberate choice. “This week is about celebrating who we are, unapologetically,” she explains. “Releasing ‘WASABI’ now felt powerful because it’s a love story between women that’s playful, confident, and full of joy. Visibility matters, and I want people to see themselves in moments like these.”
Watch WASABI Here:
https://youtu.be/a4LYL-kb15c?si=HHOqnuwwoYXnNXxT
SILO Dallas Rises to Global Prominence, Lands in DJ Mag’s Top 100 Clubs
Dallas, TX — April 20, 2026 — In less than two years, SILO Dallas has transformed from an ambitious newcomer into one of the most influential electronic music venues in North America. Now, the venue has reached a new milestone—earning the #4 spot in the United States and #39 globally on DJ Mag’s prestigious Top 100 Clubs list.
The recognition cements SILO’s status as a powerhouse in the global dance music scene and adds to a growing list of accolades, including Time Out Texas’ “Best New Nightlife Venue” and the Dallas Observer’s “Best Live Venue for Electronic Music and Dance.”
Built as a space where music and community intersect, SILO’s rapid rise reflects not only its cutting-edge programming but also the artists, fans, and creative team who have fueled its momentum.
From Bold Concept to Cultural Force
Since opening its doors, SILO has distinguished itself by blending underground credibility with arena-scale production. The venue has become synonymous with immersive experiences, delivering a steady stream of sold-out shows and unforgettable performances.
Over the past year, SILO has welcomed some of the biggest names in electronic music, including RL Grime, FISHER, The Chainsmokers, and Illenium for multiple-night runs. The lineup has also featured global tastemakers like Peggy Gou, Vintage Culture, and Nora En Pure, alongside rare, intimate sets from legendary artists such as Richie Hawtin, Fatboy Slim, Sasha, and Green Velvet.
Artists themselves have taken notice of the energy inside SILO’s walls.
“Dallas — one of my favorite shows all year. The energy in that room was insane,” said Zedd.
“Already can’t wait to come back to SILO Dallas,” added Krewella.
“Loved it. Thanks for having me,” shared Armin van Buuren, while Sullivan King described his experience as an “absolute 10/10 time.”
A Citywide Cultural Moment
SILO’s influence extended beyond its walls in 2026 with its Race Week programming, which coincided with the inaugural Arlington INDYCAR Grand Prix. The multi-day takeover transformed Dallas into a cultural hotspot, highlighted by a large-scale block party at the AT&T Discovery District headlined by Tiësto, alongside performances from Alison Wonderland, Prada2000, and Beltran.
The weekend showcased SILO’s ability to merge global entertainment with local culture—drawing both motorsport fans and electronic music enthusiasts into a shared experience.
The Underground Edge: Ductwork
Integral to SILO’s success is its sister venue, Ductwork—a 650-capacity space designed for a more intimate, underground experience. Featuring a custom-tuned Funktion-One sound system, Ductwork has quickly developed its own reputation as a haven for high-fidelity sound and forward-thinking programming.
The space has hosted artists like Danny Avila, Chris Luno, Lil Texas, JSTJR, and Porter Robinson, along with curated label takeovers and cutting-edge club nights that complement SILO’s larger-scale events.
Leadership Behind the Vision
“Breaking into DJ Mag’s Top 100 and continuing to climb is a huge moment for us,” said James “Disco Donnie” Estopinal, Founder & CEO of Disco Donnie Presents. “In under two years, SILO has become something truly special for Dallas, bringing world-class talent and unforgettable experiences to the city week after week.”
Co-founder Patrick Tetrick echoed the sentiment: “We’re incredibly grateful to the artists, partners, and fans who have supported us from day one. The response to both SILO and Ductwork has exceeded expectations, and we’re just getting started.”
What’s Next for SILO
Looking ahead, SILO’s 2026 calendar continues to reflect its hybrid approach—pairing global headliners with underground talent across both venues. Upcoming events include Elrow’s Dance with the Serpent (two nights), along with performances by Alesso, Four Tet, SLANDER, Cloonee, Chris Stussy, Steve Aoki, Benny Benassi, and Hardwell.
Meanwhile, Ductwork will continue spotlighting emerging artists and experimental sounds, reinforcing SILO’s commitment to nurturing the next wave of electronic music.
Expansion is also on the horizon, with SILO Houston slated to open in Fall 2026—further solidifying the brand’s growing footprint.
A Historic Space Reimagined
SILO’s story is as unique as its programming. Originally built in 1959 by Delmo Johnson of the Johnson Grain Company, the 30,000-square-foot concrete structure is one of only three of its kind in North America. Once a vital part of Dallas’ food supply chain, the building has been reimagined into a modern cultural hub.
Renovations began in late 2021, blending preserved architectural elements with state-of-the-art sound, lighting, and video systems. Strategic acoustic enhancements—developed in partnership with Owens—have elevated the listening experience while maintaining comfort within the expansive space.
Today, SILO stands as a versatile venue capable of hosting concerts, art shows, conventions, and private events, contributing significantly to the Design District’s cultural and economic growth.
A Defining Moment for Dallas Nightlife
With its rapid ascent, global recognition, and ambitious expansion plans, SILO Dallas is not just a venue—it’s a defining force in the evolution of nightlife and electronic music culture.
As the city continues to grow as a destination for world-class entertainment, SILO is leading the charge—proving that Dallas has firmly secured its place on the global stage.
SILO UPCOMING 2026 Calendar
April 17 & 18 – Elrow – Dance with the Serpent
April 23 – ÆON:MODE
April 24 – Alesso
April 25 – Cloonee
May 1 – Four Tet
May 2 – STMPD RCRDS Label Night
May 7 – Flux Pavilion
May 8 – Bonnie x Clyde & Cash Cash
May 9 – SLANDER
May 14 – Midnight Tyrannosaurus
May 15 – Chris Stussy
May 16 – Klangkuenstler
May 21 – Infected Mushroom
May 22 – Disco Dom
May 23 – Said The Sky
May 24 – Steve Aoki
May 28 – KAS:ST
May 29 – Timmy Trumpet
May 30 — D.O.D
June 4 – RINZEN
June 5 – Benny Benassi
June 6 – Chase & Status
June 12 – Hardwell
June 13 – Oliver Heldens
June 14 – Cristoph
June 17 – Paul Oakenfold
June 18 – KLOUD
June 19 – Lane 8 b2b Sultan + Shepard
June 20 - Gordo
June 21 – Hernan Cattaneo
June 25 – Lady Faith
June 27 – BRESH
June 28 – Emorfik x Usaybflow
July 2 – Sacha Robotti
July 3 – Sullivan King
July 10 – DILLSTRADAMUS: Dillon Francis b2b Flosstradamus
July 11 – yetep
July 12 – Bun Xapa
July 18 – Wax Motif
July 24 – Mita Gami
July 26 - Eli & Fur
July 25 – Walker & Royce
July 31 – Maceo Plex
August 7 – Noizu
August 22 – Dr. Fresch
September 13 – Wooden Wisdom ft. Elijah Wood + Zach Cowie
DIFFA DALLAS HAPPY HOUR BENEFIT BY UNLEASHED LGBTQ+ PREMIUM VODKA & THE IVY TAVERN
Unleashed LGBTQ+ and The Ivy Tavern Monthly Fundraising Series Supporting Dallas LGBTQ+ Nonprofits Continues with Benefiting DIFFA DALLAS
Unleashed LGBTQ+ Premium Vodka and The Ivy Tavern are proud to continue our monthly initiative dedicated to raising funds and awareness for LGBTQ+ nonprofit organizations across Dallas.
Join us on Friday, APRIL 17th as Unleashed LGBTQ+ Premium Vodka and The Ivy Tavern continue event in this exciting series. Guests can enjoy refreshing specialty cocktails, including the Pink Flamingo (Unleashed Vodka + Pink Lemonade) and the Southern Belle (Unleashed Vodka + Sweet Iced Tea), with 10% of all featured cocktail sales benefiting this month’s nonprofit partner, DIFFA DALLAS.
Learn more about DIFFA DALLAS’ mission below:
“We’re excited to invite the community to House of DIFFA, happening Saturday, May 9th at the Sheraton Downtown Dallas. This incredible event not only celebrates fashion, creativity, and community, but also supports a mission that truly matters. DIFFA Dallas raises vital funds for AIDS Service Organizations across North Texas, and what makes our work unique is that we provide unrestricted funding—allowing these organizations to use the resources wherever they’re needed most in the fight against HIV/AIDS. Our board is a working board, meaning every event we produce directly contributes to the impact we’re able to make. We look forward to seeing everyone come together for an unforgettable night with a powerful purpose.” says J.R. Shoman.
House of DIFFA returns on Saturday, May 9th at the Sheraton Dallas Hotel, bringing together the Dallas community for an evening of high fashion, entertainment, and meaningful impact.
Hosted by DIFFA Dallas, the event serves as one of the organization’s premier fundraisers, supporting its mission to provide financial assistance to AIDS Service Organizations (ASOs) throughout North Texas. Unlike many grant programs, DIFFA Dallas distributes unrestricted funds, allowing recipient organizations the flexibility to allocate resources where they are needed most—whether for prevention, treatment, housing, or direct support services for individuals impacted by HIV/AIDS.
What sets DIFFA Dallas apart is its dedicated working board, whose members actively produce and execute the organization’s major fundraising events. Through initiatives like House of DIFFA, the team raises critical funds that are then reinvested into the local community, ensuring continued support for frontline organizations addressing HIV/AIDS.
As anticipation builds for this year’s event, attendees can expect a dynamic evening that blends purpose with celebration—an opportunity to engage, give back, and be part of a cause that continues to make a lasting difference across North Texas.
All nonprofit organizations are encouraged to attend this evening at The IVY Tavern—whether featured for the month or not. Participating groups will have the opportunity to host a table, share information, and promote upcoming events and initiatives. “We hope this creates a space where organizations can connect, collaborate, and simply enjoy a fun, relaxed environment together,” Smoot says.
The evening will feature music by Dallas favorite DJ Tony Dean, MC from Kidd Kraddick Morning Show, Part Time Justin, and Award-Winning Stage/Drag Performer, Jada Pinkett Fox— along with discounted drinks, complimentary bites, and opportunities for guests to make additional donations—because every contribution, big or small, makes a difference.
Unleashed LGBTQ+ and The Ivy Tavern will continue this monthly series, supporting a rotating lineup of nonprofits, with a focus on AIDS Service Organizations (ASOs) and community-driven initiatives.
Non-profits interested in being considered as a future beneficiary are encouraged to reach out to Justin Grucholski at info@unleashedlgbtq.com.
#UNLEASHEDLGBTQ
#DIFFADALLAS
Danni Nicholls Finds Her Power on Upcoming Album Making Moves
From a small English market town to the heart of Nashville’s thriving Americana scene, singer-songwriter Danni Nicholls has spent the last decade quietly building a powerful and respected career rooted in authenticity, soul, and storytelling. Now, with her fourth studio album Making Moves set for release in Summer 2026, Nicholls is stepping into a bold new chapter defined by resilience, reinvention, and artistic clarity.
Born in Bedford, England, Nicholls’ musical foundation was shaped early by her Anglo-Indian grandmother’s record collection—rich with American roots, country, and soul. That influence would eventually guide her across the Atlantic to Nashville, Tennessee, a place she long considered her spiritual home. Today, she proudly calls Music City home, continuing to deepen her presence in the U.S. while maintaining a strong international following.
Nicholls’ career trajectory took a defining turn following a chance meeting with Nashville producer and bassist Chris Donohue, known for his work with Emmylou Harris. The collaboration resulted in her critically acclaimed debut A Little Redemption (2012) and its follow-up Mockingbird Lane (2015). Both albums showcased a roster of legendary Nashville musicians and earned widespread praise for their emotional depth and timeless sound.
Her third album, The Melted Morning (2019), produced by Jordan Brooke Hamlin, marked a shift toward a more intimate and haunting sonic landscape. The record was celebrated for its vulnerability and originality, further solidifying Nicholls’ reputation as a compelling voice in the Americana genre.
Now, with Making Moves, produced by Sarah Peacock, Nicholls embraces growth and transformation. The upcoming album blends her signature rootsy warmth with subtle modern textures, capturing a period of personal and creative evolution. Themes of courage, letting go, and forward momentum run throughout the project, signaling an artist fully stepping into her own power.
Critics have long praised Nicholls’ artistry, with Maverick Magazine dubbing her a “one in a million” talent with a “velvet voice,” while R2 Magazine has described her songs as “classy and compelling.” On stage, she continues to captivate audiences across the globe, whether performing in intimate listening rooms or commanding festival main stages
Over the years, Nicholls has shared stages with notable artists including Lucinda Williams, The Secret Sisters, and Sturgill Simpson, while her music has also reached wider audiences through placements on television, including the hit series Sons of Anarchy.
A three-time nominee for the Americana Music Association UK, Nicholls has performed at some of the world’s most respected festivals, including the Cambridge Folk Festival, Tønder Festival, AMERICANAFEST, Mile of Music, and 30A Songwriters Festival.
Often compared to artists like Brandi Carlile, Rosanne Cash, and KT Tunstall, Nicholls continues to write songs that explore hope, healing, and the human experience with sincerity and grace.
With Making Moves on the horizon and momentum building on both sides of the Atlantic, Danni Nicholls is not just evolving—she’s arriving. And if her latest work is any indication, her voice will continue to resonate deeply for years to come.
Unleashed LGBTQ+ Expands Impact Through Continued Partnership with Mark Cuban Foundation
Dallas, TX — Unleashed LGBTQ, LLC has announced the continuation of its partnership with the Mark Cuban Foundation, reinforcing a collaboration that has already played a significant role in the organization’s growth and programming. With initial support beginning in 2025, the foundation’s grant funding has enabled Unleashed LGBTQ+ to elevate its offerings, including securing high-profile talent such as legendary filmmaker John Waters.
“We have received generous support for two years now, and it’s clear the foundation recognizes the work we are doing,” said Wesley Smoot, Founder of Unleashed LGBTQ+. “We couldn’t be more grateful. Leaders like Mr. Cuban and his team provide both hope and inspiration—not only for our organization, but for the broader community we serve.”
Since its founding in 2020, Unleashed LGBTQ+ has established itself as a dynamic platform where brands, artists, entertainers, and LGBTQ+ professionals can connect, collaborate, and celebrate community. Its annual events have featured a diverse range of programming, including panel discussions, keynote speakers, live performances, and networking experiences that span industries such as film, television, music, business, and technology.
Past participants and featured talent have included Antoni Porowski, Indya Moore, Dyllón Burnside, and Carmen Carrera, among others. In addition to its entertainment and professional programming, Unleashed LGBTQ+ has also maintained a strong commitment to community impact, partnering with leading nonprofit organizations such as the Human Rights Campaign (HRC), DIFFA, The Trevor Project, and Legacy Cares.
Looking ahead, the organization plans to deepen its engagement with nonprofit partners by expanding opportunities for participation, including interactive mixers and live entertainment experiences designed to connect attendees directly with impactful causes.
“Unleashed LGBTQ+ 2026 will be a stronger and more impactful event because of this grant,” said Justin Grucholski, Director of Non-Profit Relations. “This support allows us to grow our mission while creating even more meaningful experiences for our attendees and partners.”
The 2026 Unleashed LGBTQ+ Conference and Festival is scheduled to take place September 18–20 in Dallas, Texas. Event passes are now available, with the full lineup of speakers, talent, and programming to be announced in the coming months.
For more information or to purchase passes, visit www.unleashedlgbtq.com.
Unleashed LGBTQ+ and The Ivy Tavern Launch Monthly Fundraising Series Supporting Dallas LGBTQ+ Nonprofits
Unleashed LGBTQ+ and The Ivy Tavern are proud to introduce a new monthly initiative dedicated to raising funds and awareness for LGBTQ+ nonprofit organizations across Dallas.
Join us on Friday, March 20th as Unleashed LGBTQ+ Premium Vodka and The Ivy Tavern kick off the inaugural event in this exciting series. Guests can enjoy refreshing specialty cocktails, including the Pink Flamingo (Unleashed Vodka + Pink Lemonade) and the Southern Belle (Unleashed Vodka + Sweet Iced Tea), with 10% of all featured cocktail sales benefiting this month’s nonprofit partner, Legacy Cares.
When asked about partnership between The Ivy Tavern and Unleashed LGBTQ+, Lisa Georgalis had this to say, “The partnership between The Ivy and Unleashed LGBTQ+ has been a natural fit from the start. Both brands share a commitment to delivering quality experiences, creating memorable moments, and making a meaningful impact within the LGBTQ+ community. Together, we’re proud to combine great products, vibrant energy, and purpose-driven initiatives that give back.”
“Legacy Cares is an incredible organization that I’ve been proud to support since moving to Dallas,” said founder Wesley Smoot. “Their work—providing access to medication, job placement, housing, and so much more—truly changes lives. Their compassionate and dedicated leadership continues to make a meaningful impact in our community, and we’re honored to spotlight them as our inaugural beneficiary.”
All nonprofit organizations are encouraged to attend—whether featured that month or not. Participating groups will have the opportunity to host a table, share information, and promote upcoming events and initiatives. “We hope this creates a space where organizations can connect, collaborate, and simply enjoy a fun, relaxed environment together,” Smoot added.
The evening will feature music by Dallas favorite DJ Tony Dean, along with discounted drinks, complimentary bites, and opportunities for guests to make additional donations—because every contribution, big or small, makes a difference.
Unleashed LGBTQ+ and The Ivy Tavern will continue this monthly series, supporting a rotating lineup of nonprofits, with a focus on AIDS Service Organizations (ASOs) and community-driven initiatives.
Nonprofits interested in being considered as a future beneficiary are encouraged to reach out to Justin Grucholski at info@unleashedlgbtq.com.
Unleashed LGBTQ+, LLC Launches New Podcast Network with Debut Show Coffins and Cocktails
Dallas, TX — March 17, 2026 — Unleashed LGBTQ+, LLC, the organization behind the nationally recognized Unleashed LGBTQ+ Conference & Festival, is expanding its media footprint with the launch of a new podcast initiative, debuting with the original series Coffins and Cocktails. The new podcast, currently in production, will premiere weekly episodes beginning April 15, 2026.
Hosted by Todd Interiano-Shifflett, a licensed funeral director and embalmer and the general manager of a funeral home that is owned by the world’s largest funeral home and cemetery providers — who also serves as Director for Pride Sports — Coffins and Cocktails offers a bold, sometimes eerie, often funny, and always entertaining exploration of what happens when we die.
“The format is simple,” explains Interiano-Shifflett. “We host special guests and take questions about what people really want to know about death — body removal, service planning, burial versus cremation, and everything in between. There’s so much curiosity around this topic, and we want to create a space where people can learn without fear.”
Guests will range from death-care professionals to entertainers, including drag performers, actors, and personalities from across the LGBTQ+ community and beyond.
“The tone of the show will vary depending on who we have on,” Interiano-Shifflett adds. “We want conversations to be informative, but when we bring in some fabulous queens, you can be sure we’ll be laughing. If anyone can make the subject of death feel light, it’s a drag queen.”
The podcast also reflects Unleashed LGBTQ+’s continued evolution into multimedia storytelling and community engagement.
“We’ve built an incredible network through our conference and festival over the years,” says Wesley Smoot, Founder of Unleashed LGBTQ+. “When the idea for this podcast came along, it just made sense. The subject is fascinating, and I know some hilarious, brilliant people who will add a lot to the content. Plus, they’ll all be enjoying Unleashed LGBTQ+ Premium Vodka during the show — so that’s a win-win.”
Coffins and Cocktails marks the first in a planned lineup of podcasts under the Unleashed LGBTQ+ brand umbrella, expanding the company’s reach into digital entertainment while continuing its mission of community connection, storytelling, and visibility.
ICYMI: Oscars edition Looking for (but often not finding) queer appeal in some of the frontrunners for this year’s Academy Awards
Reviews by Arnold Wayne Jones
The Academy Awards are almost here, and the slate each year provides a snapshot of the culture at large – sometimes positively for queer folks, sometimes not so much. We decided to preview some of the top competitors.
The gayest of the movies up for some major awards this year is probably Blue Moon, the character study of tortured, closeted lyricist for much of the Great American Songbook, Lorenz Hart. A master storyteller in a three-minute idiom, Hart was a flamboyant, alcoholic, often profane wit, and the film captures its subjects inherent contradictions: about “Blue Moon,” perhaps his most popular song, he expresses embarrassment if not outright regret; while he titled a song “My Funny Valentine” to sound either comic or romantic, he let composer Richard Rodgers set it in the melancholy key of C Minor. In ways such as these, the film captures the desperation and sadness often reflected in his songs, as well as the frustration, affection and borderline pity of those who surround him.
Director Richard Linklater stages everything like a play: Basically a single setting (the bar at Sardi’s after the opening in 1943 of Rodgers & Hammerstein’s revolution musical Oklahoma!), playing out in real time, as denizens of Broadway filter in and contend with Hart’s barbs, couched praise and ironic observations. Robert Kaplow’s Oscar-nominated screenplay unfolds like modern-day William Saroyan with tons of Easter eggs hidden among all the celebrity cameos.
Much of the heavy lifting rests on the shoulders of Oscar nominee Ethan Hawke, who flits around as an effete little man, crowing of a sexual conquest with a college coed (Margaret Qualley) whom everyone rightly suspects is more protege than paramour. Hawke’s affectations and pained reactions show a profoundly unhappy man in a closet with the door cracked open, taking a hard assessment of his life (Hart would die before the end of the year). It’s all so Hart-breaking.
Probably no best picture nominee addresses queer life more directly than The Secret Agent, the Brazilian political thriller set in the late 197os, when its authoritarian government criminalized dissent, homosexuality (especially presented in a fairly explicit, if absurdist, cruising scene) and every perceived disruption to the social order its right-wing leaders’ whims could conceive. The central story deals with college professor Armando, aka Marcelo (nominee Wagner Maura), who returns to his hometown of Recife to escape persecution because of his forcefulness in defending his independence concerning adacemic research.
Writer-director Kleber Mendonca Filho incorporates unexpected imagery in what could look like a straight-forward docudrama: A housecat born with two faces, rotting corpses reprseenting the putrefecation of society, and of course the unfairly targeted gay community, all of which serves the themes of duality and hypocrisy that threatens the simple act of living your life authentically. Sound familiar?
If you missed Sinners — and you probably didn’t if you were interested in movies or pop culture over the last year — you recognize that its homoerotic quotient is pretty low… except that you get by osmosis simply by (a) being about vampires and (b) starring Michael B. Jordan. Nevertheless, its absolutely gobsmacking energy transcends genres and genders: Sinners was one of last year’s most compelling watches.
Part of the wonder of the film is that so much – and so little – is going on. Virtually all of it takes place over the course of a single 24 hour period in October 1932, when twin brothers Smoke and Stack (both Jordan) return to their small Mississippi town after having worked as enforcers in Chicago for Al Capone. They reappear with little explanation but tons of suggestive backstory, determined to immediately open a jukejoint for the working class Black patrons, including the women each man left behind. Then vampires show up.
If it’s superficially a horror film, it’s tempermentally a thoughtful melodrama about outsiderism, loss, struggle, faith and, ultimately, race. Like Jordan Peele’s Get Out, Sinners investigate themes of pride, artistic integrity, vision and morality with a pulsating unpredictability. Writer-director Ryan Coogler takes huge swings, keeping his audience off balance by toggling between Ultra Panavision wide screen and a beefed up academy ratio to contrast between the intimate and the epic, with the costuming, color saturation and edits at unexpected times – a vampire lifts off the ground, about to attack, then we smash cut away from the violence – make for compelling cinema. No wonder its up for a record-setting 16 Oscars. Sinners is a visionary and creative artistic enterprise.
Director Guillermo Del Toro isn’t so much a creative artist as an interpretive one. Most of his films are adaptations — from comic books (the Hellboy and Blade movies), literature (Pinocchio), even other movies (Nightmare Alley and his reimagining of Creature from the Black Lagoon, The Shape of Water). As a director, he builds his inspiration on others’ foundations. His latest, Frankenstein, has a painterly beauty (some shots echo paintings by Gainsborough or Goya) that eventually challenge the viewer to ignore thinking, “He’s cribbing from Branagh’s version, Coppola’s Dracula … even Doctor Strange.” His love of movies stands in the way of his individuality; Mary Shelley famously wrote nothing about how the creature was brought to life; Del Toro spends half an hour on it, making the scenes as moist and sinewy as a slaughterhouse, because… well, because he can. At least Del Toro is a master craftsman: He steals from geniuses, and does so expertly.
In this telling, Victor Frankenstein (Oscar Isaac) is an erstwhile mama’s boy whose resentment over his father’s wanton cruelty and carelessness during childbirth leaves him defiant. From the moment Isaac replaces the child actor as his younger self, his “mad scientist” persona takes over. There’s little humanity behind his mania … which, of course, is the ultimate irony, as Dr. F famous mimics humanity with his creature (nominee Jacob Elordi). That’s always the twist, isn’t it: We care more for the artificial man’s suffering than for his creator’s fits of pique. Of course, one reason for that is Elordi’s sculpted, towering frame, clad modestly in a large napkin, imbuing the appropriate amount of homoeroticism into this man-on-man horror show. Frankenstein is a nice looking movie without much heart.
The act of titling your film something as flat-footed as F1: The Movie is as much a declaration of the makers’ ethos as it is a clarification (like, were we going to an IMAX and accidentally think we’ll be watching an actual race? Or is that to differentiate it from the macro on the upon row of a keyboard?). F1 is what I have dubbed a “commotion picture:” Noisy, unsubtle, predictable, with concepts cobbled together by a committee into putative scenes. No cliche goes unrepeated, no speech of trite exposition trimmed to give us a reasonable runtime (F1 clocks in at nearly three hours). It’s a garbage movie… Which isn’t to say it’s not enjoyable. Damson Idris offers a few scene of beefcakery and even slathered in a loose-fitting leather speed suit, Brad Pitt excudes BDE. (The downside of all the fuel-injected testosterone is a movie that exemplifies the kind of toxic masculinity and misplaced bro-ey oneupsmanship that’s polluting our real culture more than the fossil fuel-burning cars at its center. Still, despite a meaningless “best picture” nomination, F1 is a shoo-in for the best sound Oscar, with all its revved engines and squealing tires. I’m OK with that; sometimes thinking stands in the way of a good sit.
Yorgos Lanthimos is no stranger to quirk, nor does he back away from an investigatively queer sensibility in his absurdist satires: The Favorite, Poor Things, The Lobster, and more. In his latest, best picture nominee Bugonia, he aims more for insane sentiment between two disturbed young men (Jesse Plemons, neurodivergent newcomer Aidan Delbis) who target a ladyboss (Emma Stone) with kidnapping, suspecting her of being an alien. The madness is both hilarious and disturbing, and once again Stone transforms her body for a daring character portrayal (hey, it won her an Oscar for Poor Things and she’s nominated again here). The film feels more trifling than its best picture nom suggests, but run-of-the-mill Lanthimos is worth more than peak Michael Bay.
There were many elements of Paul Thomas Anderson’s One Battle After Another that I enjoyed: the performance of Benicio Del Toro and especially Sean Penn (who compete against each other this year, with Penn the likely victor); tense moments on a highway; the underlying absurdity of a futuristic world riven with extremism and violence (not-so-futuristic nowadays). But, again, for its running time I’m not sure it all comes together. It’s position as a darling of the Academy is, frankly, puzzling, and not just because there’s also not much here for queer audiences to revel in. It’s one battle ultimately not worth fighting.
Blue Moon and Frankenstein available on Neflix.
The Secret Agent available on Disney+/Hulu.
Sinners and One Battle After Another available on HBO Max.
F1 available on AppleTV+.
Bugonia available on Peacock.
Jessie Ware Ignites the Dancefloor With Sultry New Single “Ride” Ahead of Upcoming Album Superbloom
After first teasing fans with a surprise live debut at Glastonbury in 2024, Jessie Ware has officially released “Ride,” a bold, sensual new single that signals the next era of her sound — and sets the stage for her forthcoming album, Superbloom.
Originally unveiled at the iconic NYC Downlow nightclub immediately following her headline performance on the festival’s West Holts stage, “Ride” quickly became one of the most talked-about unreleased tracks among fans. Now, after nearly two years of anticipation, the song arrives in its full studio form — and it delivers exactly the kind of euphoric, body-moving energy audiences hoped for.
Built on a hypnotic groove that subtly nods to The Good, the Bad and the Ugly theme, the track unfolds as a slow-burning dancefloor moment. Ware’s commanding vocal sits front and center, radiating confidence, desire, and control. Lyrics like “I’m bad / Beautiful / Hold my hips / Watch me move” capture a playful but powerful sensuality that has become a signature of her recent work, blending intimacy with cinematic scale.
Speaking about the single, Ware revealed its personal significance in shaping the new project.
“‘Ride’ was the first song I wrote for this record,” she said. “I made it in 2024 with my best friend Jack Peñate and Karma Kid, who feature throughout the album. It’s a song for the clubs, for the dancefloor — fun, cinematic, cheeky and powerful.”
She also recalled the moment fans first heard it live.
“I first performed it at NYC Downlow at Glastonbury after headlining West Holts, and I’ve been waiting two years to finally put it out. I know others have been waiting too… So here it is. You’re welcome.”
The single offers a glimpse into Superbloom, due April 10, which promises to place Ware at the center of a world defined by glamour, tension, and physicality. Early indications suggest the album will continue her evolution into sophisticated, disco-infused pop while expanding its cinematic ambition.
With “Ride,” Ware once again demonstrates why she remains one of contemporary pop’s most compelling voices — an artist equally at home delivering emotional nuance and commanding the dancefloor. The track feels both like a celebration of her current creative peak and a confident teaser of what’s still to come.
“Ride” is out now via Interscope Records, with Superbloom available for pre-order.
GLOVE, ACTUALLY | FILM REVIEW
PILLION LUBES UP TO EXPLORE THE GAY SUB-CULTURE
Review by Arnold Wayne Jones
Alexander Skarsgård and Harry Melling star in Pillion. Courtesy of A24
Sometimes the truly remarkable thing about a movie isn’t what it does, but that it gets the chance to do it in the first place. Pillion is an enthrallingly unexpected dom-com about gay leather/BDSM culture, and I’ll explain why in due time; but can we linger for a moment on the marvel that it got made at all?!?!? The pitch isn’t exactly a box-office slam-dunk… even after the surprising (and woefully undeserved) success of the Fifty Shades movies. Fifty Shades of Grey – the only one I had the wherewithal to endure in the theater – was a disastrously smug but prudish little titilator. The film pretended that it was a racy dive into the sexual underworld, but I’ve seen more sensual bondage in a Tom Ford print ad for cologne. It wasn’t even outrageous enough to work ironically as camp. (The South Park episode where Mr. Slave “out-whores” Paris Hilton had more oomph in its final two minutes than all hours of the Fifty Shades did combined.)
So what about Pillion? While it stays this side of an NC-17 rating (at least in the edited U.S. release), it holds back almost nothing in the frankness of its portrayal of a gay subculture: that of sub-culture.
The plot plows right in with little explanation but tons of texture. Colin (Harry Melling) is a snaggletoothed Caspar Milquetoast with a sad mop of greasy hair and an unfortunate affinity for barbershop quarteting. He and his dad (Douglas Hodge) are performing in a gay bar to the delight of his terminally ill mom (Lesley Sharp) and a blind date mom set up when Colin glances at a pair of gay biker boys in a dom-sub relationship. We can see on Colin’s face that the sexual adventurousness of the scene intrigues him; Colin seems like the type whose idea of a hot date is over-the-jeans frottage or a meek handy before shamefully darting off. The sweet-natured bear date and the supportive parents suddenly disappear: Colin has found his people.
One of the leathermen – who only goes by Ray (Alexander Skarsgard) – drops his instructions to Colin at the pub – not his number or email but directions: Be this place, this time. An order. Colin complies, Ray commands him into humiliating but steamy alley sex, then blows him off. They are in a relationship now. Colin doesn’t have a choice. And he kinda likes it that way.
Pillion — the title refers to the small seat on the back of a motorcycle where non-drivers “ride bitch” – offers a smutty tour of the underbelly of leathermen and their subs. At first, Colin is as disoriented and awkward about it as we are: Is he allowed to talk? To resist? To make his needs known? What are the rules? But then again, figuring out the rules – succumbing to the intoxicating magic of sexual surrender – is a huge part of the appeal in the first place. Colin is a born sub, he just needs to figure out its parameters.
It’s probably not a spoiler to say that the only dramatic direction Pillion can head toward is conflict in the relationship: Is Colin actually fulfilled by his time with Ray? But the darkly comic tone belies the possibility that Pillion will devolve into some kind of ’80s-style erotic thriller. There’s too much skewed romance and Edgar Wright-ish British “who, me?”-isms to seem like it will turn into Looking for Mr. Goodbar, Spetters or Basic Instinct. And we don’t really want it to. We may not fully invest in the rightness of this particular relationship, but queer audiences have a built-in tolerance for angular arrangements: Polys, throuples, opens … love is love, man, whether it’s fulsome or Folsom, P-town or piss parties. Whatever floats yer boat.
Which, of course, it what makes the film anti-commercial. Despite some predictable story arcs, we can’t really “blame” Ray – he’s not “the bad guy.” When Colin insists he spend a lunch with mom and dad, we know it won’t go well, but that’s as much the fault of mom’s confrontational moments and Colin’s poor judgment as it is Ray’s enigmatic behavior. Forays into heteronormative domesticity are doomed; the appeal of being queer sometimes is not owing anyone an explanation.
Another reason we don’t lay all the responsibility on Ray’s broad shoulders is because he’s Alexander-effin-Skarsgard!! Clad in a leather bodysuit, his scruffy beard poking out of a chiseled face beneath a brooding baritone, he’s a tall muscular daddy of swoon-worthy dimensions – who among us wouldn’t be tempted to do what he told us to do? Just as good is Lesley Sharp as the protective, nothing-left-to-lose mom and Douglas Hodge as the most supportive gay dad since Michael Stulbarg in Call Me By Your Name. Melling, while good, starts off as an acquired taste. He’s meant to be bland as unsalted grits which makes him a bit of a cipher. When he transforms into a devoted pup, however – and eventually a graspingly lovesick mutt – he’s much more relatable and likeable. The ending feels almost inevitable thanks to him and the uncompromising screenplay and direction by first-timer Harry Lighton. His ride-or-die approach creates tension in such prosaic moments as keys pecked out on a piano but then sashays seamlessly into rough sex with a touch of goofy charm. Ultimately, he says, getting what you want is a discovery… and turning yourself over into getting it is an act of grace.
Now playing nationwide. Opens in Dallas at the Angelika on Feb. 19.
IT’S ABOUT TIME | FILM REVIEW
BY ARNOLD WAYNE JONES
The convoluted emotional seesaw of being closeted is explored through quirky storytelling in the racy Heated Rivalry & the somber Plain Clothes
The coming out process is a confusing and inherently dramatic one, and for many, often inchoate. The first person you have to come out to, of course, is always yourself; the second is often the object of your desire. Beyond that? It gets dodgy. Things have definitely become easier over the decades in terms of social acceptance, legal protections and community support, but for many, family expectations and coworkers often remain a stumbling block. It can be so confounding, in fact, remembering what you’ve told to whom and who you can trust creates a brainstorm of jumbled recollections and conflated experiences. Closeted gay people often live inside a mental chasm of breathless expectations and pulsating memories which can, let’s be honest, fuck you up.
Two recent queer entertainments do a remarkable job of capturing that sense of uncertainty, trepedation and sexual excitement, both by savvily corkscrewing their storytelling timelines: The HBO miniseries Heated Rivalry and the indie film Plain Clothes.
Chances are you’ve seen at least some of Heated Rivalry, and probably many readers furiously binge-watched it as soon as they could. It has tapped into the Zeitgeist as few expressly queer-themed content ever has. The initial appeal is obvious: Young, impossibly attractive men engaged in racy nude sex scenes. But aside from what could be called lurid fascination, it’s true artistic merits lay in the dizzying whirlwind of its storytelling.
The opening scene of Episode 1 lasts all of two minutes, then flashforwards a month, then six months, then six months ago. Initially, this can be attributed to merely expedient exposition, but it continues this breakneck pace all throughout. And it dawns on you: Series creator Jacob Tierney isn’t merely covering a lot of plot, but approximating the mental gymnastics that sexual hunger can put us through.
The series focuses primarily on just two characters, which both helps justify the time jumps and intensify the viewers’ shared excitement. Shane Hollander (Hudson Williams) is a introverted Canadian hockey phenom, about to be drafted into the NHL. He’s considered the most promising rookie to join the league… other than the insolent Russian braggard Ilya Rozanov (Connor Storrie), who simultaneously intimidates, aggravates and tiltillates Shane. They are drafted by rival teams and the media feed their perceived animosity, but very quickly they pursue a mutual sexual attraction: For Shane, his first foray into his sexuality, for Ilya, just his latest following a volatile situationship with his coach’s son back in Russia (where coming out, even in the 2010s, is simply not an option).
Shane and Ilya have passionate encounters that, just as they build up momentum, get derailed by such complications as seasons, scheduling and interference from clueless friends and family. But the end of Episode 2, we’ve probably jumped ahead four years or so; when Episode 3 begins, we start jumping backwards in time as well. All of this sudden unpreditable generates emotional tension, primarily in Shane, whose diffident nature make his constantly worried about what signals he might be giving off. We see less of Ilya’s internal struggle; despite his own issues, the repressive culture of Russia offers him fewer options, so he suppresses his feelings more, even to himself.
Connor Storie and Hudson Williams in HEATED RIVALRY, Photograph by Sabrina Lantos Photo courtesy of HBO Max/WBD
That kind of repression also leads to some juicy betwee-the-sheets panting. One of the tremendous stylistic victories of the series is that the sex, is presented neither coyly or explicitly. We never see full frontal or anything penetrative, but it feels largely like that’s due to the skill of the film editors. There’s nothing “soft core” Skinamax about the sex; it just feels like we caught them moments before or after the raciest moments. But there’s also a sweetness to the storytelling, aided immeasurably by the guileless performances by Storrie and Williams. I have no idea about the personal sexuality of their man, but they commitment and easy of their performances adds an especial resonance.
The sports setting is used not only to justify the closeted nature of the men (it’s remarkable how few active professional athletes have come out since basketball player Jason Collins became the first presently-rostered member of a major team sport in the U.S. came out in 2013), but also to create geographic barriers and, frankly, show hardbodied young men engaged in tantalizing coitus. Team sports provide an inherently provocative venue for “secret love” stories, what with all the lockerroom antics, mind games and physical contact on and off the ice, plus it provides a high profile for the lovers – who cares if two schoolteachers are carrying on? They may be on the ice, but Heated Rivalry is pure fire.
Speaking of prosaic coming out stories, Plain Clothes employs a similarly disjointed narrative story with, in some ways, lower stakes but greater impact. Set in the late 1990s or so, it’s not as lively and accessible as Heated Rivalry but trods along the same ground.
Tom Blyth and Russell Tovey in PLAINCLOTHES, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
Lucas (Tom Blyth) is an undercover cop in suburban Upstate New York. His gig for a while has been cruising the men’s room at the local mall, coaxing men into exposing themselves so that they can be arrested for indecent exposure – and, predicably, perhaps ruin their lives. Everything dances on just this side of entrapment, with the cops knowing full well the arrestees won’t fight the charges for fear of being outed and labeled sex offenders, all of which buggers the question: Then why lure them into such conduct in the first place?
It’s a questionable policy led by a seemingly homophobic lieutenant (John Bedford Lloyd), but is especially conflicting for Lucas, who himself is deeply closeted. He endures the feeling of disconnection until one john, Andrew (Russell Tovey) triggers something primal in him. He lets Andrew off by tanking the sting, but the two later meet. Lucas seems woefully inexperienced when it’s not part of his job description; Andrew is the more seasoned cruiser, who knows how to meet, where to go and what he wants … which is not, on balance, to ever hookup a second time. But he makes an exception for Lucas (whom he knows as “Gus”) … at least initially. As things become more complicated, the tone wanders from melodrama to psychological thriller without the lurid component.
Writer/director Carmen Emmi throws everything off balance by jumping between timelines – one, the linear plot with Andrew, and a second, at some point in the future where Lucas has a moustache and a complicated relationship with his family of homophobic assholes. At first, we don’t even realize the time displacement or that it’s even Lucas – he bears a stark resemblance to one of the johns he arrested earlier. But like a cabbage twist fall off in layers, providing a psychological payoff that, while not all that surprising, feels earned.
The film that Plain Clothes most reminds me of is the gay indie Pit Stop (seek it out!). Both have a measured pace and somewhat dour look, but avoid being either boring or chiche-ridden. The character developments resonate as sad reminders of a time – and mentality – when being yourself was the worst thing imaginable… and hopeful lay for us a roadmap of how to avoid those traps again
Heated Rivalry, all episodes available on HBO; Plain Clothes available on Prime Video and Mubi.
Theatrical one-sheet for PLAINCLOTHES, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
'DEATH BECOMES HER,' JINKX MONSOON LEAD IN LGBTQ CRITICS’ DORIAN THEATER AWARD NOMINATIONS
Andrew Scott, André De Shields, Jonathan Groff Score Double-Nods;
Megyn Hilty, Audra McDonald, Nicole Scherzinger, Kit Connor, Paul Mescal Also in Mix
New York, N.Y. (May 13, 2025) — GALECA: The Society of LGBTQ Entertainment Critics has announced its latest shortlist of standout New York stage productions for the third annual Dorian Theater Awards. Honoring excellence across Broadway and Off-Broadway during the 2024–2025 season, the awards celebrate both mainstream achievements and works that reflect LGBTQ+ themes and perspectives—in the spirit of GALECA’s longer-established film and television honors.
Leading the Broadway categories with seven nominations is Death Becomes Her, the musical adaptation of the cheeky 1992 fantasy film about two women seeking eternal (outer) beauty. In addition to nods for Outstanding Broadway Musical and Outstanding LGBTQ Broadway Musical, the show—directed and choreographed by Christopher Gattelli, with music by Noel Carey and Julia Mattison—earned acting nominations for Megan Hilty, Jennifer Simard, and Christopher Sieber. The team's production number “For the Gaze" is in line for the wing's signature Broadway Showstopper Award.
Boosted by appreciation for their well-represented cast members, three productions show six Dorian nominations each: the provocative The Crucible-meets-#MeToo tale John Proctor is the Villain, the reflective civil rights drama Purpose, and the second-ever Broadway revival of Sunset Blvd., another musical take on a film about ephemeral beauty (the first stage mounting premiered in 1994).
In the Off-Broadway categories, Cats: The Jellicle Ball leads with five nominations, including acting nods for André De Shields, Sydney James Harcourt, and ballroom icon “Tempress” Chastity Moore. DRAG: The Musical and its stars Alaska Thunderfuck and Jujubee, both of TV's RuPaul's Drag Race fame, all hold nominations. And the Manhattan Theatre Club's We Had a World, by playwright Joshua Harmon, is in the running for Outstanding LGBTQ Off-Broadway Production World's stars Joanna Gleason and Jeanine Serralles are nominated as well.
Nominees for GALECA’s LGBTQ+ Theater Trailblazer Award—which honors a lifelong commitment to creating art that inspires empathy, truth, and equity—include performer André De Shields, playwright Branden Jacobs-Jenkins, actor Andrew Scott, costume designer Paul Tazewell, director George C. Wolfe, and Drag Race alum turned multihyphenate Jinkx Monsoon.
Monsoon is also up for Outstanding Featured Performance in a Broadway Musical for Pirates! The Penzance Musical, as well as another special accolade, LGBTQ Theater Artist of the Season.
Last year, the Off-Broadway staging of Oh, Mary! and the Broadway revival of Merrily We Roll Along topped the Dorian Theater Awards, winning four prizes each. The wing’s voters also fell in love with the queer sensibilities at the heart of Sufjan Stevens' Illinoise, naming the dance musical Outstanding Broadway Musical and Outstanding LGBTQ Broadway Musical. In the inaugural year, the musicals Kimberly Akimbo and Titanique!, and drama Fat Ham scored the most Dorian wins.
GALECA will once again help kick off Pride Month by announcing the winners of the 2025 Dorian Theater Awards on Monday, June 2.
Full list of 2025 Dorian Theater Awards nominees:
Outstanding Broadway Musical
Death Becomes Her
Dead Outlaw
Just in Time
Maybe Happy Ending
Operation Mincemeat
Real Women Have Curves
Outstanding Broadway Play
English
The Hills of California
John Proctor is the Villain
The Picture of Dorian Gray
Purpose
Outstanding Broadway Musical Revival
Floyd Collins
Gypsy
Pirates! The Penzance Musical
Sunset Blvd.
Outstanding Broadway Play Revival
Eureka Day
Our Town
Romeo + Juliet
Yellow Face
Outstanding LGBTQ Broadway Production
Cult of Love
Death Becomes Her
Purpose
Redwood
SMASH
Outstanding Lead Performance in a Broadway Musical
Darren Criss, Maybe Happy Ending
Andrew Durand, Dead Outlaw
Tom Francis, Sunset Blvd.
Jonathan Groff, Just in Time
Megan Hilty, Death Becomes Her
Audra McDonald, Gypsy
Jasmine Amy Rogers, BOOP! The Musical
Nicole Scherzinger, Sunset Blvd.
Helen J. Shen, Maybe Happy Ending
Jennifer Simard, Death Becomes Her
Outstanding Lead Performance in a Broadway Play
Kit Connor, Romeo + Juliet
Laura Donnelly, The Hills of California
Mia Farrow, The Roommate
Daniel Dae Kim, Yellow Face
Sydney Lemmon, JOB
Louis McCartney, Stranger Things: The First Shadow
Jon Michael Hill, Purpose
LaTanya Richardson Jackson, Purpose
Sadie Sink, John Proctor is the Villain
Sarah Snook, The Picture of Dorian Gray
Outstanding Featured Performance in a Broadway Musical
Natalie Venetia Belcon, Buena Vista Social Club
Jeb Brown, Dead Outlaw
Gracie Lawrence, Just in Time
Justina Machado, Real Women Have Curves
Jak Malone, Operation Mincemeat
Jinkx Monsoon, Pirates! The Penzance Musical
Lea Salonga, Stephen Sondheim’s Old Friends
Christopher Sieber, Death Becomes Her
Taylor Trensch, Floyd Collins
David Thaxton, Sunset Blvd.
Michael Urie, Once Upon a Mattress
Joy Woods, Gypsy
Outstanding Featured Performance in a Broadway Play
Alana Arenas, Purpose
Tala Ashe, English
Molly Bernard, Cult of Love
Jessica Hecht, Eureka Day
Francis Jue, Yellow Face
Marjan Neshat, English
Bob Odenkirk, Glengarry Glen Ross
Zachary Quinto, Cult of Love
Fina Strazza, John Proctor is the Villain
Amalia Yoo, John Proctor is the Villain
Kara Young, Purpose
Outstanding Broadway Ensemble
Cult of Love
Death Becomes Her
John Proctor is the Villain
Real Women Have Curves
Sunset Blvd.
The Broadway Showstopper Award
— To a standout production number or scene
Death Becomes Her - “For the Gaze," performed by Megan Hilty
Gypsy - “Rose’s Turn," performed by Audra McDonald
John Proctor Is the Villain - “Green Light," performed by Sadie Sink, Amalia Yoo
Maybe Happy Ending - “Chasing Fireflies," performed by Darren Criss, Helen J. Shen
Sunset Blvd. - “Sunset Boulevard," performed by Nicole Scherzinger
Outstanding Off-Broadway Production
Cats: The Jellicle Ball
Grangeville
Liberation
Vanya
Wine in the Wildernes
Outstanding LGBTQ Off-Broadway Production
Cats: The Jellicle Ball
DRAG: The Musical
Grangeville
The Fires
We Had a World
Outstanding Lead Performance in an Off-Broadway Production
Patsy Ferran, A Streetcar Named Desire
Susannah Flood, Liberation
Brandon Flynn, Kowalski
Joanna Gleason, We Had a World
Marla Mindelle, The Big Gay Jamboree
Paul Mescal, A Streetcar Named Desire
Andrew Scott, Vanya
Paul Sparks, Grangeville
Alaska Thunderfuck, DRAG: The Musical
Olivia Washington, Wine in the Wilderness
Outstanding Featured Performance in an Off-Broadway Production
Betsy Aidem, Liberation
Billy Crudup, Henrik Ibsen’s Ghosts
André De Shields, Cats: The Jellicle Ball
Drew Elhamalawy, We Live in Cairo
Sydney James Harcourt, Cats: The Jellicle Ball
Jujubee, DRAG: The Musical
Ahmad Kamal, SUMO
Julia Lester, All Nighter
Paris Nix, The Big Gay Jamboree
Jeanine Serralles, We Had a World
Kyra Sedgwick, All of Me
“Tempress” Chastity Moore, Cats: The Jellicle Ball
Jenny Lee Stern, Forbidden Broadway: Merrily We Stole a Song
Jason Veasey, The Fires
Natalie Walker, The Big Gay Jamboree
LGBTQ Theater Artist of the Season
Michael Arden
Tommy Dorfman
Jonathan Groff
Branden Jacobs-Jenkins
Jinkx Monsoon
LGBTQ+ Theater Trailblazer
— For a lifelong commitment to creating art that inspires empathy, truth and equity
André De Shields
Branden Jacobs-Jenkins
Jinkx Monsoon
Andrew Scott
Paul Tazewell
George C. Wolfe
Productions With Multiple Nominations
Death Becomes Her - 7
John Proctor is the Villain - 6
Purpose - 6
Sunset Blvd. - 6
Cats: The Jellicle Ball - 5
Cult of Love - 4
Gypsy - 4
Maybe Happy Ending - 4
The Big Gay Jamboree - 3
Drag: The Musical - 3
English - 3
Dead Outlaw - 3
Grangeville - 3
Just in Time - 3
Liberation - 3
Real Women Have Curves - 3
We Had a World - 3
Yellow Face - 3
Eureka Day - 2
The Fires - 2
Floyd Collins - 2
The Hills of California - 2
Operation Mincemeat - 2
The Picture of Dorian Gray - 2
Pirates! The Penzance Musical - 2
A Streetcar Named Desire - 2
Vanya - 2
Wine in the Wilderness - 2
About GALECA
GALECA: The Society of LGBTQ Entertainment Critics and its Dorian Awards honor the best in film, television, and, under its theater wing, Broadway and Off-Broadway. More than 550 members strong, GALECA reminds society that the world values the informed Q+ eye on everything entertainment. A nonprofit organization, GALECA also advocates for better pay, access, and respect for entertainment journalists, especially the underrepresented. For more informations, visit galeca.org and find us at @DorianAwards on social media.
MUSIC FORWARD AND GIBSON GIVES PARTNER FOR: LGBTQ+ EMERGING ARTIST AWARDS GIBSON GIVES TO DONATE OVER $43,000 TO UNIQUE AND IMPACTFUL MUSIC MENTORSHIP PROGRAM SUPPORTING YOUNG TALENT IN THE MUSIC
NASHVILLE, TN (August 5, 2024) Gibson Gives, the non-profit division of the legendary music brand Gibson, is honored to partner with Music Forward to present the LGBTQ+ Emerging Artist Awards for 2024. A unique and impactful grant program, the goal of the LGBTQ+ Emerging Artist Awards is to help break down the barriers of access in the music industry, allowing artists to have thriving careers and promote a more inclusive music industry overall. With 45 of the LGBTQ+ Emerging Artist Awardsgranted, the new Music Forward and Gibson Gives partnership allows the program to continue to champion diverse voices from all backgrounds and communities, from Atlanta to Austin, and New York City to North Hollywood.
The screening process for the awards is extensive, with ten (10) LGBTQ+ Emerging Artist Awardees aged 18-24 years old to be selected based on many factors, including the strength of their body of music work, the breadth of their body of work, their artistic vision, and their articulation of their career goals. The ten US-based selected artists are dedicated to their songwriting craft, and their vision for themselves through music. The ten awardees will each receive:
· $3000 Grant
· $1000 Gibson retail for an instrument.
· Performance Opportunities that include the Gibson Garage Nashville and Gibson showrooms, as well as other venues.
· Quarterly Mentorship with established musicians, as well as the Gibson and Music Forward teams.
LGBTQ+ Emerging Artist Awards submissions for applicants are open now HERE.
The timeline for the LGBTQ+ Emerging Artist Awards program is as follows:
· Monday, August 5: Applications open.
· Sunday, August 18: Applications close.
· Monday, August 19 – Friday, September 27:Application review and selection.
· Monday, September 30: Awardees notified.
· October 2: Announcement of Awardees.
· Mid-late October: Virtual Award Show.
Music Forward and Gibson Gives believe in music as a catalyst for discovery, connection, and transformation, and the power of amplifying artists and providing a forum for their diverse voices to be heard. Gibson Gives will donate over $43,000 to the program for 2024, including $33,000 in cash grants ($30k grants/$3k admin fees), and $10,000 in Gibson retail for an instrument. Music Forwarddevelops and administers the grant awards from selection to distribution, and Music Forward and the Gibson team collectively develop and execute mentorship programs. The Quarterly Mentorship Opportunities range from songwriting sessions with Gibson artists to exploring a variety of trending topics and skills, including Gibson and Live Nation Leadership professionals sharing knowledge and insight on what it takes to find success in the business, learning from experts who have turned their passions into professions in the ever-changing entertainment industry, from bands to boardrooms and everything in between. The program is designed to help nurture artists’ growth and progress, expand their social capital, and to reduce barriers, both external and internal, that may come between them and achieving their greatest artistic potential.
Singer-songwriter and record producer Butch Walker, one of the LGBTQ+ Emerging Artist Award musician mentors for 2024, states “Hey all! I’m excited to be supporting the LGBTQ+ Emerging Artist Award, and to celebrate the amazing talent and diversity within the community. This award not only recognizes artistic excellence, but also empowers emerging voices to inspire and create needed change.”
“Gibson Gives is proud to partner with Music Forward to support the LGBTQ+ Emerging Artist Award,” says Erica Krusen, Global Executive Director of Gibson Gives. “We believe in the power of individual voices and strive to break down barriers, promoting a more inclusive music industry. These awards support often-marginalized artists, nurturing their growth and helping them achieve their greatest artistic potential.”
“At Music Forward, we work towards inspiring young artists and providing resources to drive their careers forward while making the industry more inclusive for all voices,” adds Nurit Siegel Smith, Executive Director of the Music Forward Foundation. “The LGBTQ+ Emerging Artist Award is a staple of our programs, and we are excited for our partnership with Gibson Gives to continue to empower the next generation of LGBTQ+ musicians.”
A national nonprofit in the Live Nation family, theMusic Forward Foundation creates opportunities for young talent in the music industry by mentoring entertainment careers for the next generation through live performances, workshops and panels. Acclaimed artists like Phoebe Bridgers, Maxwell Frost, Trombone Shorty, and Andrae Alexanderare past program participants and grant recipients. While performers such as Kahlid, Sophia Carson, Lauren Daigle, Martina McBride, Carlos Santana, and Julia Michaels have served as Ambassadors for Music Forward:https://musicforwardfoundation.org/.
Gibson Gives is the non-profit division of the legendary music brand Gibson, Gibson supports the music community via its philanthropic endeavor, Gibson Gives, assisting non-profit organizations in their efforts to advance musicians, youth-focused music education, health and wellness initiatives, and inclusive musical partnerships worldwide. The Gibson Gives Scholarship program has provided direct financial support to young students with music career aspirations and is on track to help even more players in 2024. Gibson Gives a 501(c)(3),is committed to cultivating and offering steadfast support for all communities. To date, Gibson Gives has raised over $4.5 million and enabled $46 million in funding for key organizationsthrough product donations and meaningful giving worldwide, with 100 percent of all donations to and from Gibson Gives going towards providing the gift of music.
Multi-hyphenate artist Our Lady J releases new classical music single “Future Of Us” Featuring the New York City Gay Men’s Chorus
Listen to "Future Of Us" on YouTube, Spotify & Apple Music
New York, New York – May 7, 2024 – Today, writer, producer, composer and performer Our Lady J releases “Future Of Us,” the artist’s first major music release in a decade, when she put her musical career on hold to focus on television and filmmaking. Featuring sweeping, classical orchestrations and supporting vocals by members of the New York City Gay Men’s Chorus, the composition is a meditation on the aftermath of societal chaos, and the responsibility artists have to steer us back towards creation. Our Lady J says, “The song paints a portrait of a world worn from mounting anxieties, building towards a revelation that calls for a return to LOVE.”
The recording of the song, written and performed by Our Lady J, was inspired by the artist’s personal journey of healing from the isolation of the pandemic, after which, she attended dozens of symphonic concerts to find community with other creatives and like-minded artists. In this period of inspiration, Lady J notes that “concert-going reconnected me with my roots as a collaborative musician and chamber pianist. I resumed my formal studies in classical piano at the Colburn School in downtown Los Angeles, and I fell back in love with the healing power of classical music.”
Listen to “Future Of Us” HERE.
“Future Of Us” marks Our Lady J’s official return to music after the release of her 2013 debut album Picture of a Man, praised by Out Magazine for its “deeply felt vocals and highly trained expertise.” The singer took a temporary break from the medium to embark on a successful career in television where her credits include being a writer and producer on FX’s Pose and Amazon Studios’ Transparent.
While "Future Of Us" is a classically inspired piece, Our Lady J is also releasing more music this summer that is more traditional singer-songwriter material. Her upcoming single “Little Queen,” out this June in time for Pride month celebrations, is dedicated to all her trans and queer siblings in the LGBTQ+ community.
ABOUT OUR LADY J
Our Lady J is an Emmy-nominated writer and producer, best-known for her writing on Pose, Transparent and American Horror Story. Before Lady J’s career in television, she toured the world performing as a singer/songwriter, as well as a collaborative pianist and musical director for pop, theater, and classical music. She has received two Peabody Awards, three American Film Institute awards, three Writers Guild Award nominations and two NAACP Image Award nominations. As a producer, her shows have garnered a combined total of 48 Emmy nominations, 13 Golden Globe nominations, 20 Critics’ Choice nominations, among others. She is currently writing and co-executive producing on the upcoming Netflix series, The Boroughs, executive produced by the Duffer Brothers.
Follow Our Lady J:
Instagram | Spotify | Apple Music | YouTube
Marshall announces “Marshall Funhouse,” a Three-Day SXSW Activation for Musicians and Music Lovers Alike
Marshall announces “Marshall Funhouse,” a Three-Day SXSW Activation for Musicians and Music Lovers Alike
AUSTIN, Texas (February 13, 2024) - Marshall is gearing up for its second year at SXSW, this time showing up bigger and better and as an official SXSW 2024 partner. The experience will bring an exciting artist lineup, one-of-a-kind carnival themed experiences, games and more, inviting musicians and music lovers to participate in this three-day celebration of culture and community. The event will take place between March 13-15 at Parish, and will be joined by local Austin community partners and vendors.
Marshall, globally renowned for its iconic sound and pioneering role in music, is announcing today its first official SXSW activation and biggest event yet as a unified group – Marshall Funhouse. The theme is inspired by carnivals, British funfairs, and theme parks, and will come together through partnerships with local community organizations and friends of the brand.
With this exciting announcement for music fans and SXSW attendees alike, Marshall is sharing a first glimpse into the stacked three-day event lineup for Marshall Funhouse, including a mix of local, regional and international talent – some from the company’s very own record label, Marshall Records. The initial lineup includes Detroit hardcore punk band The Armed, Austin locals Black Angels, UK-based post punk act Dry Cleaning, indie garage punk band Shannon and the Clams, punk and folk musicians Frank Turner & The Sleeping Souls, as well as Marshall Records’ own Northern Irish metal-icons Therapy?, Kid Bookie, King Nun, Dream Nails and more. To view the full lineup, please visit sxsw.marshall.com, with more acts to be announced in the coming weeks.
To help bring this ambitious activation into reality, Marshall has enlisted local independent promoter, Resound Presents and entertainment partnership gurus, Ad.Ventures to support local talent and ensure that Marshall Funhouse leaves a lasting impact in the Austin local scene. Apart from live music entertainment, Marshall has invited local community partners SIMS Foundation, School of Rock, and global collective Women in Vinyl, to raise awareness for their programs. Musicians at SXSW will also be able to drop in at the Marshall Funhouse artist gifting suite, where they can get their guitars serviced and receive gifts provided by the legendary Ernie Ball and Musicares custom earplugs.
DREAM NAILS | Courtesy of MARSHALL
“Partnering with SXSW perfectly aligns with our mission to support emerging talent from all backgrounds, to show our long-term commitment to the local Austin music scene, all while putting the spotlight on the music icons of today and tomorrow. As such, Marshall Records will also be doing a takeover during the event to proudly showcase our own talent roster,” says Peter Wijk, VP of Marketing at Marshall.
KID BOOKIE | Courtesy of MARSHALL
Over the course of the three days, Marshall Funhouse will be a place where people can immerse themselves in live music performances, and enjoy delicious food and drinks provided by local vendors including Bad Larry Burger Club, Zee’s Wiener System, CTRUS lemonade, and Cloud 9 Cotton Candy. Additionally, attendees will have the opportunity to play carnival-themed games from Circus Picnic and take part in screen printing with beloved Austin-based design shop Feels So Good (FSG). To tie it all together, the event has been brought to life under one character-led visual universe, complete with live mascots and surprise activities.
Marshall will be further contributing to SXSW by hosting its own panel discussion. This panel will invite speakers who are passionate about and are working towards a flourishing cultural scene and explore the role that community plays in driving music forward and elevating artists’ careers. Among the speakers is rock royalty Janie Hendrix, with whom Marshall has a long-standing partnership with to support the Jimi Hendrix Park Foundation.
Courtesy or MARSHALL
More artists on the lineup, additional programming details, the three-day schedule and more will be announced over the next few weeks.
To stay up to date on the latest information on Marshall Funhouse, please visit sxsw.marshall.com and follow along at the @marshallheadphones and @marshallamps social handles.
WHEN: March 13-15, 2024
WHERE: Paris, 501 Brushy Street, Austin Texas, 78702
RSVP link is now live for SXSW badge holders and the general public HERE
Flame Con, the World’s Largest Queer Comic Convention, Announces Tenth Annual Expo
Tenth Anniversary Expo to Take Place in New York City at The Sheraton Times Square Hotel on August 17-18, 2024
New York, New York – February 5, 2024 – Flame Con, created and produced by the LGBTQ+ non-profit Geeks OUT, celebrates its tenth anniversary this year. The tenth annual Flame Con expo will take place on August 17 - 18at the Sheraton Times Square Hotel in New York City. Featuring a comics, arts and entertainment expo and showcasing creators and special guests from all corners of the LGBTQ+ community of fans, the two-day venture will include thoughtful discussions, exclusive performances, cosplay and more.
Tickets for the con are now available HERE.
“For years, the constant refrain we’d hear attending other conventions was ‘Wouldn’t it be cool if..?,’ says Nic Gitau, President of Geeks OUT. “‘Wouldn’t it be cool if… there was a safe space for LGBTQ+ fans to connect?’ or ‘Wouldn’t it be cool if… there was a show that proved audiences were hungry for unapologetically queer storytelling?’ Over the last ten years Flame Con has become a home for queer fans, championed queer stories, and celebrated queer creators as their careers have sparked and exploded. We're grateful for a community that's grown exponentially each year and we're excited to gather the best of LGBTQ+ comics and pop culture once more, in what will be a standout 10th anniversary show."
Flame Con is excited to announce Molly Knox Ostertag as the first of its special guests for this year’s expo. Molly Knox Ostertag is the acclaimed ABA Indies and New York Times bestselling graphic novel author-illustrator of The Deep Dark, The Girl from the Sea, and the Witch Boy trilogy: The Witch Boy, The Hidden Witch, and The Midwinter Witch, as well as a writer for animation. An animated musical adaptation of The Witch Boy has been announced by Netflix.
To celebrate the expo and its special anniversary, Fireball: The Official Flame Con After Party will be held on Saturday, August 17 at Hell’s Kitchen’s Industry bar. The event will be hosted by Megami, cast member in the current season 16 of RuPaul’s Drag Race.
Get tickets for the tenth annual Flame Con and the Fireball After Party HERE.
Last year’s con featured many queer-oriented vendors, creators, and special guests including Maia Kobabe (Gender Queer: A Memoir), Terry Blas (Rick and Morty, Steven Universe), Alyssa Wong (Star Wars: Doctor Aphra, Batman: Urban Legends), and Stephanie Williams (Nubia and the Amazons). Among the panels and presentations held last year were “Demystifying Game Design,” “How to Make Your Independent Queer Comic,” and “What A DRAG!: A Panel on Drag and Cosplay.” The expo also featured a live edition of host Connor Goldsmith’s CEREBRO podcast and a special LGBTQ+ comedy showcase with a lineup that included Calvin Cato (Netflix) and Veronica Garza (MTV, NPR).
“Flame Con is always my favorite convention of the year!,” says Josh Trujillo (Blue Beetle, Hulkling& Wiccan), Flame Con guest and comics writer and designer. “It’s a unique opportunity to meet with friends, peers, and fans in a more intimate setting. The stories we share as queer people can be so personal, and it means the world to know that readers connect with it.”
GLAAD Award-winning author and film programmer Anthony Oliveira (Steven Universe) shares, “Flame Con is easily my favorite comic convention. Nowhere else feels so much like home. It feels like someone took all the best parts of a con and just kept those, like if you made a whole con out of the weird queer section of every other expo’s Artist Alley!”
Tickets to Flame Con are available through Eventbrite and will feature daily and weekend passes, as well as passes to the official 2024 Flame Con party. Tickets can be purchased at flamecon2024.eventbrite.com.
Exhibitor table sales dates will launch later this month. Stay tuned for announcements.
For more information on Flame Con, please visit www.flamecon.org and for more information on Geeks OUT, please visit www.geeksout.org
SXSW ANNOUNCES KEYNOTES DAN AUERBACH AND PATRICK CARNEY OF THE BLACK KEYS AND FOURTH ROUND OF FEATURED SPEAKERS
Dan Auerbach and Patrick Carney of The Black Keys Announced as Keynotes
Featured Speakers Announced include Ed Bastian, Dr. Sweta Chakraborty, Jack Conte, Jane Fonda, Devery Jacobs, Chris Smalls, Justin Tranter, Dwyane Wade, Elijah Wood and more
Austin, Texas — January 16, 2024 — South by Southwest® (SXSW®) Conference and Festivals has announced the addition of Keynotes Dan Auerbach and Patrick Carney of The Black Keys and the fourth round of Featured Speakers for the 38th edition of its annual Conference, which celebrates the convergence of technology, film, television, and music. SXSW takes place March 8-16, 2024 in Austin, Texas. Formed in Akron, Ohio in 2001, The Black Keys are singer/guitarist Dan Auerbach and drummer Patrick Carney. They have been called ‘rock royalty’ by the Associated Press and ‘one of the best rock ‘n’ roll bands on the planet’ by Uncut. Originally getting their start playing small clubs, the band has gone on to sell out arena tours worldwide and have released 11 studio albums. The Black Keys have won six Grammy Awards and a BRIT, among other worldwide accolades. A new documentary, This is a Film About The Black Keys, traces their remarkable journey from two neighborhood kids jamming in a basement in Akron, Ohio to rock ’n roll super-stardom will World Premiere at the SXSW Film & TV Festival.
The Featured Speakers announced today include CEO of Delta Air Lines Ed Bastian,two-time Academy Award-winning actress, producer, author, and activist Jane Fonda,actor/writer/director Devery Jacobs, founder and President of the Amazon Labor Union and founder of The Congress of Essential Workers Chris Smalls, three-time NBA champion, Basketball Hall of Famer, Olympic gold medalist, New York Times bestselling author, and businessman Dwyane Wade, and actor, producer, and co-founder of SpectreVision Elijah Wood.
"The impact of artists has made music the foundation of SXSW," said Hugh Forrest, Chief Programming Officer and Co-President. “For this reason, we’re especially excited to welcome Dan Auerbach and Patrick Carney of The Black Keys, one of the most compelling rock bands around, to the Keynote Speaker lineup for a discussion on their prolific career.”
The SXSW Conference is organized into 24 programming tracks presented in a variety of session formats. Tracks for 2024 include 2050, Advertising & Brand Experience, Artificial Intelligence, Climate Change, Creating Film & TV, Creator Economy, Culture, Design, Energy, Fashion & Beauty, Film & TV Industry, Food, Game Industry, Government and Civic Engagement, Health & MedTech, Music & Tech, Music Careers, Psychedelics, Sports, Startups, Tech Industry, Transportation, Workplace, and XR. More information about SXSW programming tracks and formats can be found here.
Newly-announced SXSW 2024 Keynotes:
Dan Auerbach and Patrick Carney of the six-time Grammy Award-winning band The Black Keys
Newly-announced Featured Speakers include:
CEO at Twitch Dan Clancy
Inventor, futurist, New York Times bestselling author, Grammy Award winner, and Principal Researcher and AI Visionary at Google Ray Kurzweil
CEO of Mostly Human Media Laurie Segall
Newly-announced Featured Sessions include:
2050: Reimagining Future Cities Without Homelessness: In this session, Executive Director of the U.S. Interagency Council on Homelessness Jeff Olivet, President and CEO of Los Angeles Mission Troy Vaughn, and U.S. Congresswoman Maxine Waters will reimagine how cities in the future can flourish without homelessness.
A^²: Connecting the Dots: In this session, lawyer, writer, and public speaker Steven Donziger and founder and President of the Amazon Labor Union and founder of The Congress of Essential Workers Chris Smalls will speak to the challenges of taking on two of the most powerful corporations in the world. From Chevron in the Amazon to the Amazon Corporation, these two are putting everything on the line to speak truth to power while inspiring all of us to step up and take action.
Culturally Confronting Loneliness: This session will focus on changing the loneliness conversation on a macro scale from something overwhelming and sad, to something dynamic and hopeful. Founder and CEO of Hinge Justin McLeod and author and CEO of TheLi.st Ann Shoket will answer questions such as how can we start to dismantle shame, welcome constructive change, and foster community, what role has technology had in the creation of loneliness and what role can it have in solving this problem, how do we get healthier and build true connection, and what proven tools and tactics can ground us all in the mission of forging a path to togetherness?
Death of the Follower & the Future of Creativity on the Web: The Internet started as a platform that democratized creative distribution. You could upload your work to platforms like YouTube and immediately have it accessible to millions of people. After that came the "subscribe" button, which enabled creators to go beyond reach and find true fans whose support would allow them to build a creative business. But with the rise of platform-focused algorithms (Facebook's ranking, TikTok's "for you" curation), creators cannot reach their following and true fans. This shift has had a devastating impact on creators' creativity and ability to support themselves doing what they love. In this session, co-founder and CEO of Patreon Jack Conte will explain how the current internet algorithms are killing the traditional "follower" for creators and advocate for the new spaces on the internet (like Patreon) where creators can always connect with their communities, create what they want, and control their own destinies.
Engaging the Next Gen: My Hero Academia’s Journey to Roblox: The unique potential of the Metaverse to engage fans and foster communities, all while presenting substantial revenue opportunities is not yet understood by all marketers and brand owners. In this session, founder and CEO of Gamefam Joe Ferencz and Executive Vice President of Emerging Business and General Manager of Games at Crunchyroll Terry Li will share the journey of bringing My Hero Academia to Roblox and explain why metaverse platforms are critical for brands looking to maintain relevance, build community, and drive growth with a new generation of potential consumers.
FX’s Reservation Dogs: Indigenous Storytelling Without Bounds: FX’s Reservation Dogs has been hailed as a triumph in authentic Indigenous storytelling on screen. The acclaimed series has broken barriers both in front of and behind the camera, with every writer, director and series regular on the show being Indigenous. While singularly unique to mainstream audiences, the series is the culmination of decades of grassroots filmmaking and advocacy that has been taking place across Turtle Island/North America and beyond. In this session, co-creator/EP/writer/director Sterlin Harjo, director Danis Goulet, actor/writer/director Devery Jacobs, actor D’Pharaoh Woon-A-Tai and CEO of the Indigenous Screen Office Kerry Swanson will discuss how a global community of Indigenous storytellers are breaking through with distinctly Indigenous ways of telling stories on screen, signaling an exciting new era for the industry.
Hollywood and Activism: Insights from Jane Fonda, Sweta Chakraborty, and David Fenton: In this session, come discover the secrets to creating real and meaningful change from two-time Academy Award-winning actor, producer, author, and activist Jane Fonda, climate behavioral scientist, author, and CEO of North America for We Don’t Have Time Dr. Sweta Chakraborty, and activist, author of The Activist’s Media Handbook, and public relations professional David Fenton. Hear directly from the masterminds behind freeing Nelson Mandela, Fire Drill Fridays, and We Don’t Have Time and learn how to use media and communication to mobilize the public for meaningful action and policy progress.
Icons of Impact: A Conversation with Dwyane Wade: In this session, embark on a journey through the dynamic universe of three-time NBA champion, Basketball Hall of Famer, Olympic gold medalist, New York Times bestselling author, and businessman Dwyane Wade, an NBA legend not just defined by his prowess on the court but also his remarkable impact off it. From delivering captivating keynote speeches to making striking statements in the realms of fashion and design, Wade's entrepreneurial spirit shines brightly. Dive into his entrepreneurial ventures and uncover how this basketball icon has masterfully crafted a diversified empire in business.
Live Podcast Episode of Visitations with Elijah Wood & Daniel Noah: On their podcast, Visitations, writer, director, and co-founder of SpectreVision Daniel Noah and actor, producer, and co-founder of SpectreVision Elijah Wood visit the homes and workshops of their favorite creators in film and beyond for intimate conversations about how they turn their lives into art. In this special, live edition of Visitations to launch season two, Wood and Noah will chat with a guest from the SXSW 2024 lineup.
People First, Always: How to Put Values at the Heart of Your Business: In cutthroat and challenging times for business, it is increasingly difficult to focus on anything other than the bottom line. And yet, it’s people who are the heartbeat of any successful organization. Making people central to business strategy and investing in customers and employees is vital to building trust, retaining talent and transcending industry categories. Delta has navigated one of the most volatile and competitive industries on the planet for nearly a century. The airline leads today because of a simple, but powerful principle: always put people first. In this session, join CEO of Delta Air Lines Ed Bastian and other special guests to learn how to cultivate community from the inside out and foster a spirit of human connection that will drive business forward and sustain success for the years ahead.
The Transformation of Music Sync: When the Songwriter Becomes the Screenwriter: Entertainment is evolving, and music is no longer seen as an afterthought in film, TV, streaming, and other forms of media. Songs are now defining entire story arcs from the very beginning with songwriters helping to drive the creative process, often serving as screenwriters, executive music producers, directors, and more. In this session, musician, composer, film scorer, 28-time Grammy and Latin Grammy Award-winning producer, and founder of the act Calle 13 Eduardo Cabra, Music Crossover Agent at Creative Artists Agency Stephanie Langs, author, music journalist and host of the podcast Totally 80s Lyndsey Parker, Executive Vice President, Global Sync and Media Original Music at Warner Chappell Music Rich Robinson, and artist, activist, Grammy Award-nominated songwriter, and founder and CEO of Facet Records Justin Tranter will explore the players influencing these shifts and the new opportunities for songwriters and artists looking to stretch their creative muscles.
Additional Keynote Speakers and Featured Sessions will be announced in the coming weeks.
SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of tech, film and television, music, education, and culture. An essential destination for global professionals, the annual March event features sessions, music, and comedy showcases, film and television screenings, exhibitions, professional development, and a variety of networking opportunities. SXSW proves that the most unexpected discoveries happen when diverse topics and people come together. SXSW 2024 will take place March 8–16 in Austin. Learn more at sxsw.com. To register for the event, please visit sxsw.com/attend.
SXSW 2024 is sponsored by Porsche, C4 Energy, Venmo, Delta, and The Austin Chronicle
Texas-Based Indie Rockers The Western Civilization Release Stunning Sophomore Album
The group's LP Fractions of a Whole is out February 16th
Rachel Hansbro (left) and Reggie O'Farrell (right). Photo by Jack Potts.
Chemistry is the key driving force of all great bands, and for Texas-based indie-rock band The Western Civilization, that creative connection has inspired them to get past odds that would seem insurmountable to most, while creating captivating , well-crafted music that is “an aurally enveloping avalanche of big tones and feeling” (Glide).
Reggie O’Farrell and Rachel Hansbro met while in separate bands in the Houston music scene in 2002, and a friendship developed between the two. Their creative partnership would go on to produce two albums, multiple festival appearances including the Vans Warped Tour, SXSW, Halifax Pop Explosion and most importantly, a lasting artistic union that would survive the two living in separate cities, career changes, a major medical episode and one very cramped tour. Hansbro laughs, “If you can walk away from three weeks in a Geo Metro and still be friends with someone, that means something.”
The Western Civilization’s first album Letters of Resignation was aptly described by The Houston Chronicle as “Equal parts craft and chaos” and “noisy indie-pop that aches with longing, anger and frustration, each song spilling over with elegantly wrought emotion.” That heartfelt quality combined with the intertwined vocals of Hansbro and O’Farrell creates a sound that fans of Arcade Fire, Bright Eyes and Broken Social Scene will gobble up with fervor. The forthcoming album Fractions of a Whole reveals a new maturity to their music with a more lush sounding production style and a focus on cohesive, graceful songcraft over the endearingly quirky elements that dominated their earlier work. The songs, while beautifully gut-wrenching, still hold on to the hope of the light at the end of the tunnel with songwriting that brings to mind a more lyrically biting Death Cab For Cutie or The Shins and Modest Mouse’s finer moments.
Pro tip: Listen with Kleenex on hand.
Fractions of a Whole album artwork by Reggie O'Farrell.
“The new songs were inspired by the amazing people who are part of my chosen family,” Hansbro reflects. “Reggie has always been good at reminding me of the positive things. (He is) another voice saying ‘Hey, it's going to be okay.’” This optimism amidst the chaos of the world we live in is evident in the rich and buoyant sound of Fractions, of which a handful of warmly received singles have been released in anticipation of the album. Of “Stitches”, The Big Takeover wrote, “(the song) is a dark and beautiful ode to human resilience and the journey of wading through the hard times and coming out the other side in one piece,” while the captivating “Bible Verses for Kids” shines “with an upbeat melody and swelling chorus — peppered with the indie rock outfit’s signature sorrow-soaked vocals,” (Rollacoaster). While the singles are quite literally fractions of a whole, the album altogether presents itself as a captivating masterpiece of a soul-searching roller coaster ride.
While the album’s singles were making their way out into the world, Hansbro began to realize that something was wrong. She couldn’t keep food down, she lost weight and her body began to shut down. She recalls struggling to get through the shows the band was playing in Texas and her frustration when doctors couldn’t determine the cause. Eventually, she found a doctor in her hometown of Houston who diagnosed her with achalasia, a rare disorder that makes it difficult to eat or drink, and that doctor just happened to be the one who had perfected a procedure to correct the life-threatening issue. Healthy again, the harrowing experience has given Hansbro a new drive and determination in approaching the band’s music. “I can’t wait to get onstage and play again,” she asserts with a smile. “I wrote a lot of songs on Fractions of a Whole as letters of gratitude to friends who always showed up for me during tough times,” she continues. “Those same friends showed up for me when I was sick, reminding me not to lose hope.”
Of their unique relationship, it’s clear what drives the pair to stay dedicated to the band, despite the fact that O’Farrell lives in Austin where he finds more work as a producer and sound engineer and Hansbro resides in Houston where she has developed her own business as a music teacher working with nonprofits: mutual respect, belief in their music and the way they inspire each other. “I know she trusts me and it frees me to try anything, he explains. And of O’ Farrell, Hasbro says, “I trust few things in life, but I trust him.”
Fractions of a Whole is out February 16th on Reggie Records.
Unleashed LGBTQ, LLC locks New Partnership with Freeman
Unleashed LGBTQ, LLC solidifies new partnership with industry giant, FREEMAN Event Services. Partnership duties include sponsorship acquisition and fulfillment for brands participating in upcoming Unleashed LGBTQ+ events available for conference/festival in Dallas, Texas. (Sept, 2024)
Unleashed LGBTQ+ creates a space for brands, entertainers, & LGBTQ+ professionals to connect. Attendees will learn from thought leaders, industry experts, and celebrity talent from some of the biggest names in LGBTQ+ film, television, music, business, tech, & non-profit in a fun and interactive environment.
Exhibitors have the opportunity to showcase and promote new and exciting products, services, and campaigns with the one of the most reputable event-contractors on the market, FREEMAN.
Freeman, a global leader in trade show production for large scale events will offer exhibitors turnkey solutions (design to installation) for brands to participate in Unleashed LGBTQ+’s events. “We look forward to the professionalism and credibility this partnership that will provide regarding both sponsor engagement and attendee experience” says Founder and CEO, Wesley Smoot.
“We look forward to creating a space (that is) heavy in experiential marketing… We believe partnership with Freeman is an ideal fit, benefiting all parties” says Justin Grucholski, Director of Brand Partnerships.
Past exhibitors and continuing partners include Gilead Sciences, HRC, iHeart Media, Virgin Hotels, Visit Dallas, Out Magazine, The Advocate Channel, Dallas Voice, PRIDE RADIO, and more.
2023 Speakers/Panelists Include:
Unleashed LGBTQ+ 2023 Lineup: Stacey Stevenson (CEO, Family Equality- Washington DC), Daniel Franzase (Mean Girls, Universal Pictures), Dyllón Burnside (Emmy Award-Winning Show: POSE, American Horror Story, FX), Naomi Green, MBA (Speaker, Professor), Billy Eichner (Bros, Universal Pictures, American Horror Story, FX), Indya Moore (Emmy Award-Winning Show: POSE, FX), Antoni Porowski (Emmy Award-Winning Show: Queer Eye, Netflix), Matt Skallerud (Founder, CEO Pink Media), Brian Sims (Former Penn. State Rep, Managing Director at Out Leadership), Dr. Carlton, MD (Gastro Intestinal Physician, Consultant to White House & CDC), Nico Tortorella (The Walking Dead, AMC) and dozens more.
Antoni Porowski | Netflix | Emmy Award-Winning Series: Queer Eye | National Geographic: ‘No Taste Like Home with Antoni Porowski’
Stephen Walker (The Advocate Channel Correspondent) & Michel J Pelletier (equalpride media CMO)
Indya Moore | FX | Emmy Award-Winning Series: POSE | Warner/Discovery: Aquaman and the Lost Kingdom
Billy Eichner | FX | Emmy Award-Winning Series: American Horror Story | Disney: Lion King | Hulu: Difficult People
Unleashed LGBTQ+ Founder/CEO Wesley Smoot | West Hollywood